《科学屋:假象博物馆》The House of Science: a museum of false facts

 

《科学屋:假象博物馆》The House of Science: a museum of false facts

 a museum of false facts

该片提供了一个新的女性化的电影形式,这部电影探讨了女性艺术和科学的代表。结合家庭电影,个人回忆,舞台影像,残存的镜头组成一个复杂的视觉和听觉上的综合体。将一个女孩,有时很难面对的由于年龄增长所必经的事情重新编排成一个丰富的相互联系的整体进行肯定和成长。

 

导演:Lynne Sachs
USA/1991/30min/实验片

 

导演:Lynne Sachs
Lynne Sachs拍电影,表演,玩装置,通过将诗歌、拼贴画、绘画、政治等元素结合起来探索个人观察与更广泛的历史经验之间复杂的关系。自1994年以来,她的5部Essay Film将她带到越南,波斯尼亚,以色列和德国,这些曾经受到战争影响的国家。在这些地方,她尝试将当地人的记忆同她个人的观点相结合进行电影创作。强调电影理论和实践的结合,Lynne也寻求画面和声音的完美呼应,在她的每一部作品中都力求视觉和听觉的和谐统一。自2006年以来,她已经和她的搭档Mark Street合作了一系列戏谑的,多媒体的表演,他们称之为‘XY 染色体项目’。除了忙于流动影像外,Lynne也和他人一起编辑了以‘记录片实验’为主题的《千禧电影期刊》。通过古根海姆博物馆,洛克菲勒和杰罗姆基金会和纽约州艺术委员会的支持,Lynne的电影已经在纽约电影节,圣丹斯电影节和多伦多的图像艺术节,以及在布宜诺斯艾利斯电影节的电影调查环节中上映。旧金山电影中心最近发表的四篇论文全面回顾了琳恩的工作。2012年,林恩在整个纽约市的小剧场演出一系列的“你的白天是我的黑夜”现场电影。然后,她在现代艺术博物馆,温哥华电影节,联合文件,新奥尔良电影节,并在墨西哥,阿根廷和厄瓜多尔等场地播放她筛选完成的长达一小时的完整视频。林恩在纽约大学和新学院讲授实验电影和录像,她住在布鲁克林区。

 

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The House of Science: a museum of false facts

 

"Offering a new feminized film form, this piece explores both art and science's representation of women, combining home movies, personal remembrances, staged scenes and found footage into an intricate visual and aural college. A girl's sometimes difficult coming of age rituals are recast into a potent web for affirmation and growth."(SF Cinematheque) Charlotte Film Festival, First Prize Experimental; Atlanta Film Festival, Experimental Prize; Black Maria Film Fest, Juror's Award; Humboldt Film Festival, Teffen Filter Award; Museum of Modern Art, Cineprobe; Portland Museum of Art, "Icons, Rebels and Visionaries"; Athens Film Festival, Experimental Prize; Oberhausen Short Film Fest, Germany; Utah Film Festival, First Prize Short Film. Supported by a NEA Regional Arts Fellowship.

 

Director: Lynne Sachs
USA/1991/30min/Experimental film

 

Director: Lynne Sachs
Lynne Sachs makes films, performances, installations and web projects that explore the intricate relationship between personal observations and broader historical experiences by weaving together poetry, collage, painting, politics and layered sound design. Since 1994, her five essay films have taken her to Vietnam, Bosnia, Israel and Germany - sites affected by international war-where she tries to work in the space between a community's collective memory and her own subjective perceptions. Strongly committed to a dialogue between cinematic theory and practice, Lynne searches for a rigorous play between image and sound, pushing the visual and aural textures in her work with each and every new project. Since 2006, she has collaborated with her partner Mark Street in a series of playful, mixed-media performance collaborations they call The XY Chromosome Project. In addition to her work with the moving image, Lynne co-edited the Millennium Film Journal issue on "Experiments in Documentary". Supported by fellowships from the Guggenheim, Rockefeller and Jerome Foundations and the New York State Council on the Arts, Lynne's films have screened at the New York Film Festival, the Sundance Film Festival and Toronto's Images Festival as well as a five-film survey at the Buenos Aires Film Festival. The San Francisco Cinematheque recently published a monograph with four original essays in conjunction with a full retrospective of Lynne's work. In 2012, Lynne began a series of live film performances of "Your Day is My Night" in small theaters throughout New York City. She then screened the completed hour-long hybrid video at the Museum of Modern Art, the Vancouver Film Fest, Union Docs, the New Orleans Film Fest and other venues in Mexico, Argentina and Ecuador. Lynne teaches experimental film and video at New York University and The New School and lives in Brooklyn.

 

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第二届中国民间女性影展(The 2nd China Women's Film Festival)

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