武小川《关中考》-2014连州国际摄影年展

 

武小川《关中考》-2014连州国际摄影年展

武小川《关中考》

武小川《关中考》

 ⇒专题:2014连州国际摄影年展
2014连州国际摄影年展时间安排

作者自述
百年前,一批国外的探险家、学者造访陕西地区,用摄影记录下他们的考察对象,这应该是现代历史学、考古学、建筑学视角下,第一批对关中地区具有现代学术研究性质的的图像史料。这批影像照片收录于足立喜六(日本,1871-1949。他于1906年至1910年在陕西高等学堂任教,这期间他对西安附近的历史遗迹进行了实地考察。)于昭和8年(1933年)编著出版的《长安史迹之研究》一书中,拍摄这批片子除了足立喜六本人,还集纳了恩斯特·鲍希曼(德国,Ernst Boerschmann,1873-1949)和艾尔伯特·塔费尔(德国,Albert Tafel, 1877-1935)、爱德华·沙畹(法国,Edouard Chavannes, 1865-1918)和维克多·谢阁兰(法国,Victor Segalen, 1878-1919)、喜仁龙(瑞典,Osvald Siren, 1879-1966)早年拍摄的陕西关中地区的影像。

此书涵盖地理与历史两个范畴,地理上,东迄函谷关、潼关,跨华阴、临潼,入于西安、咸阳,西抵兴平、乾县、岐山等地,时间上参照朝代交叠,探访周、秦、汉、唐等著名的遗址。涉及寺庙道观、山川古地,参入文物、石刻、碑帖,直观地呈现关中地区的历史影像志。

二零一三年初,武小川组织一个摄影小组,按照足立喜六的《长安史迹之研究》所涉及到的所有地点,前往实地,在原景前挂置半透明的历史图像的菲林片,通过镜头,透过菲林对现场进行重新拍摄,并成为新的观念性作品。这批作品分为42个单元,共计170个对象。现已完成对70余套共计500余幅作品。

本次艺术实践,从图像志的角度出发,以历史地理为参照,以田野调查的方式,用一种介质再生的图像方式,体现一种对历史还原性的努力,呈现出一种即模糊又清晰,即含混又明确的新图像,这也对应着武小川本人的基本态度与观点:“错位”与“模糊”是某种历史观念真实的特性。

 

武小川
博士,副教授。1998年7月,毕业于中央美术学院油画系第一画室,同年起任教于西安美术学院。现为中国国家画院博士后。

 

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A Research in GuanZhong Region

武小川《关中考》

武小川《关中考》

Artist statement
A century ago, a group of foreign explorers and scholars not merely visited Shaanxi Province but also photographed what they had studied. Related to the Researches in GuanZhong region, this should be the first historical photographic material with the nature of modern academic research from the perspective of the modern history, archaeology and architecture. These photographs were included by Adachi Kiroku.(Japan, 1865 - 1948) He, instructing at Shaanxi Higher Academy from 1906 to 1910, during this period, conducted a survey of some historic sites near Xi'an. In his book titled A study on historic sites in Chang'an published in 1933, the photographs were taken by others such as Ernst Boerschmann (1873-1949) from Germany, Edouard Chavannes (1865-1918) from France, Victor Segalen (1878-1919) from France and Osvald Siren ()1879-1966 from Sweden except for Adachi Kiroku himself among their early photographs shot in the region of Shaanxi GuanZhong.

The book covers two categories of geography and history, geographily the east to HanGuGuan, TongGuang, across HuaYin and LinTong, and to Xi'an, XianYang, the West to XiPing, QianXian, QiShan and so on, in view of history, concerning several historical- dynasty- -sites of Zhou, Qin, Han, Tang and so on so forth. It is involved with Taoist temples, mountains, rivers and ancient sites, together with cultural relics, stone carvings, and inscription rubbings, which provide a more immediate view of the photographic history in GuanZhong region.

A photographic team organized by Dr.WU Xiao-chuan in early 2013 went to the places based on all the spots relevant in the book named A Research on Historical Sites in Chang'an City by Adachi Kiroku. Semi-translucent film pieces of the historic images were hung up before the original scenes, and by the lens the spots were re-photographed through the films, and the taken photographs become the new conceptual works. These works can be divided into 42 units, a total of 170 objects. So far, more than 70 sets of units were completed, the total of over 500 works were included.

From the aspect of iconology, and with the reference to the historical geography, the artistic survey reflects a kind of effort for the reduction of history and presents a kind of "fuzzy" and "clear", "vague" and "specific" new images by means of field inquiry, and through a medium regeneration for images. It also responds to Dr. WU's basic attitude and idea: “dislocation” and “fuzziness” are characteristic of credibility for some kind of historical idea.

 

Wu Xiaochuan
Ph.D. Associate professor.
1998 Graduated from Central Academy of Fine Arts, First Studio of Oil Painting Department;
1998 Instructor, Teaching at Xi'an academy of Fine Arts, Department of Oil Painting.

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